Mary Ellen Talley
JAMES DEAN’S LAST DONUT
Dough rises. It had scarred me
seeing mama in the casket when I was nine.
I snuck a lock of her hair
and they buried her in Marion where I was born
and where they named me after the doc
who made a house call to deliver me.
It’s easy for me to confuse
trajectory with speed.
We finished filming Giant,
with voluptuous Liz named Leslie
and me as oil-driven, Jett Rink.
If I’d just kept towing my 550 Spyder
I would’ve had time to digest
the coffee and donuts
Bill and I picked up
at Hollywood Ranch Market
while the car was at
at Competition Motors.
We were headed to Salinas Racetrack.
One speeding ticket on the main drag
then I jumped the silver Spyder
on a side road, hit 85, too fast
to sidestep the Ford sedan
turning left in front of me.
Here I am in Fairmount, Indiana,
not too far from mama.
I sure do miss her, remember her dropping dough
in heated oil when the weather
wasn’t hot. She sprinkled donuts with sugar.
Maybe that’s why I chain smoked.
Mary Ellen Talley’s poems have been published in journals including Gyroscope, Raven Chronicles, Deep Wild, and Banshee as well as in several anthologies. Her poems have received three Pushcart nominations. She has published two chapbooks: “Postcards from the Lilac City” (Finishing Line Press, 2020) and “Taking Leave” (Kelsay Press, 2024.)