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Fred Pollack
“Lottery” & “The Bond”
Lottery
Some ghosts are given the choice of being
objects. Not told which – you have to take
your chances – but it’s treated like a reward.
For what, though? some wonder, those
still capable of wondering.
We merit nothing, do nothing;
stories the living tell about us
are about themselves ... Still, those with doubts
accept the offer if it comes. Those
to whom competitiveness clings jump
at the chance, bigots likewise. The change,
however, is one-way. Workers
become plastics. A certain bulbous pink
teapot may have been
an oligarch. And I worry about this lamp.
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The Bond
But why, I asked, do you go home
at all? You know what will happen,
what they’ve become … She sighed,
aware of my insensitivity
to family; I realized
I’d answered my own question
by using the word “home.” Describe it to me,
I begged, I want to imagine it.
She had on her phone
a picture of the dinner before the disaster.
There was the niece with some brains
cynicism was eating.
The grinning druggy brother. The sick aunt,
the mother playing seven roles
at once, least satisfied with cook. Shelves full
of things – figurines? commemorative
plates? They somehow slid from
my mind as I looked. Curtains closed
on identical houses, curtains closed
or always open on rooms like showrooms.
The father in profile, called by something
on the television half-visible
in the next room, always on. The next
moment he mentioned he had contributed
to the defense of that kid
who shot two Black Lives Matter protesters, raised
his hands and was waved away
by sympathetic cops.
Here she paused. But I was still caught
by the half-view of the television, its one
channel; thought how I too, once,
had imagined a future
so broadly, urgently roused,
but for different reasons by different voices.
Author of two book-length narrative poems, The Adventure (Story Line Press, 1986; to be reissued by Red Hen Press) and Happiness (Story Line Press, 1998), and two collections, A Poverty of Words (Prolific Press, 2015) and Landscape with Mutant (Smokestack Books, UK, 2018). In print, Pollack’s work has appeared in Hudson Review, Salmagundi, Poetry Salzburg Review, Manhattan Review, Skidrow Penthouse, Main Street Rag, Miramar, Chicago Quarterly Review, The Fish Anthology (Ireland), Poetry Quarterly Review, Magma(UK), Neon (UK), Orbis (UK), Armarolla, December, and elsewhere. Online, his poems have appeared in Big Bridge, Diagram, BlazeVox, Mudlark, Occupoetry, Faircloth Review, Triggerfish, Big Pond Rumours (Canada), Misfit, OffCourse and elsewhere.